ABOUT

Timothy Matthew Collins (b. 1981) is a mixed media artist focusing on the eschatological implications of collage. Inspired by philosophy and theology—especially the works of Giorgio Agamben, Walter Benjamin, Léon Bloy, and Friedrich Heer—his art explores issues of time, history, the eucharist, metanoia, and sacramental reality.

His assemblages have been exhibited in numerous galleries and churches, and are part of several museums’ permanent collections including the National September 11 Memorial & Museum in New York City.

Timothy recently guest edited an issue of Listening / Journal of Communication Ethics, Religion, and Culture on “Catholic Art After Christendom” and his essays and artwork have appeared in several publications, including St. Austin Review, Paulist.org, TheologyGaming.com, Jesus the Imagination: A Journal of Spiritual Revolution by Michael Martin, and Architects Draw: Freehand Fundamentals by Sue Ferguson Gussow.

He has served as a core team member of the Openings Artist Collective, the Paulist Fathers’ initiative to dialogue with artists, and was a board member of the Catholic Artist Connection, a non-profit organization serving Catholic artists in the New York City metropolitan area.

Timothy obtained his Bachelor of Architecture degree from the Cooper Union for the Advancement of Science and Art in New York and received a Master of Architecture degree from Syracuse University’s Graduate School of Architecture in Florence, Italy.

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